Issue 29
(Dis)agreements

Beyond the Sporadic Success of Asian Cinema: The Circulation of Korean and Japanese Cinema in Spain

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  • Quim Crusellas,
  • Domingo Domingo,
  • Menene Gras,
  • José Luis Rebordinos,
  • Ángel Sala,
  • Guillermo Martínez-Taberner,
  • Antonio Loriguillo-López
Quim Crusellas
Festival Nits Cinema Oriental de Vic
Bio
Domingo Domingo
Festival Nits Cinema Oriental de Vic
Bio
Menene Gras
Asian Film Festival de Barcelona
Bio
José Luis Rebordinos
Donostiako Nazioarteko Zinemaldia de Donostia
Bio
Ángel Sala
Festival Internacional de Cinema Fantàstic de Catalunya de Sitges
Bio
Guillermo Martínez-Taberner
Universitat Pompeu Fabra
Bio
Antonio Loriguillo-López
Universitat Jaume I
Bio
DOI: https://doi.org/10.63700/810

Published 2020-01-01

Keywords

  • Film festivals,
  • San Sebastian,
  • Sitges,
  • Nits Cinema Oriental,
  • Asian Film Festival,
  • Japanese cinema,
  • South Korean cinema.
    • ...More
    Less

How to Cite

Crusellas, Q., Domingo, D., Gras, M., Rebordinos, J. L., Sala, Ángel, Martínez-Taberner, G., & Loriguillo-López, A. (2020). Beyond the Sporadic Success of Asian Cinema: The Circulation of Korean and Japanese Cinema in Spain. L’Atalante. Journal of Film Studies, (29), 141–162. https://doi.org/10.63700/810
Copyright Notice

Abstract

Introduction
Antonio Loriguillo-López

Discussion
Quim Crusellas, Menene Gras, Domingo López, José Luis Rebordinos, Ángel Sala

Closure
Guillermo Martínez-Taberner

 

Continuing with the investigation of the monographic about the porosity of our audiovisual regarding its Japanese and South Korean counterpart, in the section of (Dis)agreements we congregate the people in charge of the most relevant festivals for the circulation of these cinemas inside the Spanish territory to monitor the situation from their role as gatekeepers of these cinematographies. Quim Crusellas and Domingo López (director and programmer, respectively, of the Festival Nits Cinema Oriental de Vic), Menene Gras (director of the Asian Film Festival of Barcelona), José Luis Rebordinos (director of the Donostiako Nazioarteko Zinemaldia in Donostia) and Ángel Sala (director of the Sitges Film Festival) answer to the questions posed by Guillermo Martínez Taberner and Antonio Loriguillo-López on facets of the circulation of these films, the evolution of the Spanish audiences, or the irruption of video on-demand platforms.

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