Editorial
Observing the Formalities. Self-regulation and Aesthetics of Cinematographic Classicism
Published 2019-07-31
Keywords
- Motion Picture Production Code,
- Hays Code,
- Self-regulation,
- Censorship,
- Film Form
- Genres,
- Classical Hollywood Cinema. ...More
Abstract
The existence of economic motivations in the adoption of the Production Code does not prevent this code from being inscribed, moreover, as a fundamental piece in the dispute for the social place that cinema should occupy, and, therefore, in the definitive configuration, of the essential features of what we know today as classical cinema.
References
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Jacobs, L. (1988). The Censorship of <em>Blonde Venus</em>: Textual Analysis and Historical Method. <em>Cinema Journal, 27</em>(3), 21-31. http://www.jstor.org/stable/1225289<br>
Leff, L. J., Simmons, J. L. (2001). <em>The Dame in the Kimono: Hollywood, Censorship, and the Production Code</em>. Kentucky: Columbia University Press.<br>
Maltby, R. (2003a). Narrative 2. Regulating Meaning: The Production Code. En <em>Hollywood Cinema</em>. Oxford: Blackwell.<br>
— (2003b). More Sinned Against than Sinning: The Fabrications of “Pre-Code Cinema”. <em>Senses of Cinema</em>,<em> 29</em>. http://sensesofcinema.com/2003/feature-articles/pre_code_cinema/<br>
Montero, J. F., Rodríguez Serrano, A. (eds.) (2017). <em>Porno: ven y mira</em>. Santander: Shangrila.<br>
Pérez, X., Bou, N. (2016). La censura y el código Hays. Tratamiento y representación del sexo. En C. F. Heredero (coord.), Screwball Comedy. <em>Vivir para gozar</em>. Donostia: Donostia Kultura, Filmoteca Vasca.<br>
Staiger, J. (1991). Self Regulation and the Classical Hollywood Cinema. <em>Journal of Dramatic Theory and Criticism, VI</em>(1). https://journals.ku.edu/jdtc/article/view/<br>
1830/1793)<br>
Williams, L. (2008). <em>Screening Sex</em>. Durham y Londres: Duke University Press.</p>
Biltereyst, D. (2008). Productive Censorship. Revisiting Recent Reserarch on the Cultural Meanings of Film Censorship. <em>Politics and Culture</em>, <em>4</em>, 2008. https://politicsandculture.org/2010/09/19/productive-censorship-revisiting-recent-research-on-the-cultural-meanings-of-film-censorship/<br>
Burch, N. (1987). <em>El tragaluz del infinito (Contribución a la genealogía del lenguaje cinematográfico)</em>. Madrid: Cátedra (Signo e Imagen).<br>
Elsaesser, T. (2006). Discipline through Diegesis: The Rube film between “Attractions” and “Narrative Integration”. En W. Strauden (coord.), <em>The Cinema of Attractions Reloaded.</em> Amsterdam: Amsterdam School for Cultural Analysis.<br>
Escoffier, J. (2007). Scripting the Sex: Fantasy, Narrative, and Sexual Scripts in Pornographic Films. En M. Kimmel (ed.), <em>The Sexual Self: the Construction of Sexual Scripts </em>(pp. 61-80). Nashville: Vanderbilt University Press. <br>
Gubern, R. (1989). <em>La imagen pornográfica y otras perversiones ópticas</em>. Madrid: Akal.<br>
Kuhn, A. (1988). <em>Cinema, Censorship and Sexuality, 1909-1925</em>. Nueva York: Routledge.<br>
Jacobs, L. (1988). The Censorship of <em>Blonde Venus</em>: Textual Analysis and Historical Method. <em>Cinema Journal, 27</em>(3), 21-31. http://www.jstor.org/stable/1225289<br>
Leff, L. J., Simmons, J. L. (2001). <em>The Dame in the Kimono: Hollywood, Censorship, and the Production Code</em>. Kentucky: Columbia University Press.<br>
Maltby, R. (2003a). Narrative 2. Regulating Meaning: The Production Code. En <em>Hollywood Cinema</em>. Oxford: Blackwell.<br>
— (2003b). More Sinned Against than Sinning: The Fabrications of “Pre-Code Cinema”. <em>Senses of Cinema</em>,<em> 29</em>. http://sensesofcinema.com/2003/feature-articles/pre_code_cinema/<br>
Montero, J. F., Rodríguez Serrano, A. (eds.) (2017). <em>Porno: ven y mira</em>. Santander: Shangrila.<br>
Pérez, X., Bou, N. (2016). La censura y el código Hays. Tratamiento y representación del sexo. En C. F. Heredero (coord.), Screwball Comedy. <em>Vivir para gozar</em>. Donostia: Donostia Kultura, Filmoteca Vasca.<br>
Staiger, J. (1991). Self Regulation and the Classical Hollywood Cinema. <em>Journal of Dramatic Theory and Criticism, VI</em>(1). https://journals.ku.edu/jdtc/article/view/<br>
1830/1793)<br>
Williams, L. (2008). <em>Screening Sex</em>. Durham y Londres: Duke University Press.</p>