Notebook
Hallyu (한류) in Spain, audience, fanbases and new ways of consuming audio-visual media
Published 2020-01-31
Keywords
- Hallyu,
- Fanbase,
- K-pop,
- Audiencia,
- Cine coreano
- Serie,
- Dorama. ...More
How to Cite
Deltell Escolar, L., & Folgar Arias, C. (2020). Hallyu (한류) in Spain, audience, fanbases and new ways of consuming audio-visual media. L’Atalante. Journal of Film Studies, (29), 39–52. https://doi.org/10.63700/745
Abstract
This article presents the results of a study of the influence of Hallyu, the new Korean Wave, in Spain. The behaviour of new viewers and the organization of their fanbases have been analyzed. Research data reveals that Spanish Hallyu followers are a creative audience. This group, mostly women and young people, not only consume Korean audio-visual media but they also carry out an important task of cultural activism in favour of Hallyu.
Downloads
Download data is not yet available.
References
<p>Altman, R. (1999). <em>Los géneros cinematográficos</em>. Barcelona: Paidós.<br>
Baecque, A., Tesson, C. (2004). <em>Una cinefilia a contracorriente. La Nouvelle Vague y el gusto por el cine americano.<strong> </strong></em>Barcelona: Paidós.<br>
Bauman, Z. (2010). <em>Mundo consumo</em>. Barcelona: Paidós.<br>
Castells, M. (2009). <em>Comunicación y poder</em>. Madrid: Alianza.<br>
Chen, L. (2017). The Emergence of the Anti-Hallyu Movement in China. <em>Media, Culture & Society, 39</em>(3), 374-390.<br>
Chua B. H., Iwabuchi, K. (eds). (2008). <em>East Asian Pop Culture: Approaching the Korean Wave</em>. Hong Kong: Hong Kong University Press.<br>
Claes, F., Deltell, L. (2015). Audiencia social en Twitter: hacia un nuevo modelo de consumo televisivo. <em>Trípodos</em>,<em> 36</em>. <br>
Claes, F., Deltell, L., Congosto, M. L. (2015). Audiencia social, ¿comunidad o enjambre? Caso de estudio: Goyas 2014. <em>Ar@cne: revista electrónica de recursos en Internet sobre Geografía y Ciencias Sociales, 194</em>, 1-15. Recuperado de http://www.ub.edu/geocrit/aracne/aracne-194.pdf<br>
Dal Yong Jin, K. Y. (2016). The Social Mediascape of Transnational Korean Pop Culture: Hallyu 2.0 as Spreadable Media Practice.<em> New Media and Society,</em> <em>18</em>(7), 1277-1292. https://doi.org/10.1177/1461444814554895.<br>
Deltell, L. (2014). Audiencia social versus audiencia creativa: caso de estudio Twitter. <em>Estudios sobre el mensaje periodístico</em>, <em>20</em>(1), 33-47. http://dx.doi.org/10.5209/rev_ESMP.2014.v20.n1.45217.<br>
Flores Yapuchura, A. Y. (2013). K-pop, nueva opción de identidad peruana. <em>Comuni@cción. Revista de investigación en Comunicación y Desarrollo, 4</em>(1), 38-45.<br>
Foucault, M. (1977).<em> Historia de la sexualidad.</em> Madrid: Siglo XXI.<br>
Gil, P. (2012, 29 de agosto). Aprenda ‘k-pop’ en seis pasos. <em>El Mundo. </em>Recuperado de https://www.elmundo.es/elmundo/2012/08/29/gentes-verano/1346239887.html.<br>
Han, B. (2014). <em>En el enjambre</em>. Barcelona: Herder.<br>
Hubinette, T. (2012). The Reception and Consumption of Hallyu in Sweden: Preliminary. Findings and Reflections. <em>Korea Observer,</em> <em>43</em>(3), 503-525. <br>
Jang, S. H. (2012). The Korean Wave and Its Implications for the Korea-China Relationship, <em>Journal of International and Area Studies, 19</em>(2), 97-113. <br>
Joinau, B. (2018). Aux origines de la vague sud-coréenne: le cinéma sud-coréen comme soft power. <em>Pouvoirs. Revue française d’études constitutionnelles et politiques,</em> <em>167</em>, 107-120.<br>
Jung, S. (2011). K-pop, Indonesian fandom, and social media. <em>Transformative Works and Cultures, 8.</em><br>
— (2012). Fan Activism, Cybervigilantism, and Othering Mechanisms in K-pop Fandom. <em>Transformative Works and Cultures, 10</em>.<br>
Jung, S., Shim, D. (2013).Social Distribution: K-Pop Fan Practices in Indonesia and the ‘Gangnam Style’ Phenomenon. <em>International Journal of Cultural Studies, 17</em>(5), 485-501.<br>
Kuwahara, Y. (ed.) (2014). <em>Korean Popular Culture in Global Context</em>. Nueva York: Palgrave Macmillan US.<br>
Kim, B. R. (2015). Past, Present and Future of Hallyu (Korean Wave).<em> Journal of Contemporary Research, 5</em>(5).<br>
Kim, E. M., Ryoo, J. (2008). South Korean Culture Goes Global. K-Pop and the Korean Wave.<em> Korean Social Science Journal, 1</em>, 117-152.<br>
Kim, Y. (ed). (2013).<em> The Korean Wave: Korean Media Go Global</em>. Nueva York: Routledge.<br>
Kim, Y. H., Lee, D., Min, S. (2014). Exploring Characteristics of Video Consuming Behavior in Different Social Media Using K-Pop Videos.<em> Journal of Information Sciencie, 40</em>(6), 806-822<br>
KOCIS, Korean Culture and Information Service (2011a). <em>K-POP: A New Force In Pop Music</em>. Corea del Sur: <br>
KOCIS.<br>
KOCIS, Korean Culture and Information Service (2011b). <em>The Korean Wave: A New Pop Culture Phenomenon. </em>Corea del Sur: KOCIS.<br>
KOCIS, Korean Culture and Information Service (2015). <em>K-POP Beyond Asia.</em> Corea del Sur: KOCIS.<br>
Kuhn, T. S. (1975). <em>La estructura de las revoluciones científicas</em>. México: Fondo de Cultura Económica. <br>
Lee, S., Nornes, M. A (2015). <em>Hallyu 2.0: The Korean Wave in the Age of Social Media</em>. Ann Arbor: University of Michigan Press.<br>
Marinescu, V. (2014). <em>The Global Impact of South Korean Popular Culture. </em>Londres: Lexington Books.<br>
Messerlin, P., Shin, W. (2017). The Success of K-pop: How Big and Why so Fast? <em>Asian Journal of Social Science, 45</em>(4-5): 409-439. http://dx.doi.org/10.1163/15685314-04504003.<br>
Nye, J. (1990). <em>Bound to Lead: The Changing Nature of American Power</em>. Nueva York: Basic Books.<br>
Nye, J., Kim, Y. (2013): Soft Power and the Korean Wave. En Y. Kim (ed.), <em>The Korean Wave: Korean Media Go Global </em>(pp. 31-42). Nueva York: Routledge.<br>
Osteso, J. M., Claes, F., Deltell, L. (2014). <em>Teoría de la urdimbre comunicativa. Política, activismo y formación de líderes de opinión por medio de Twitter en España.</em> XXVI Seminario internacional AISOC. <br>
Oh, I. (2009). Hallyu: The Rise of Transnational Cultural Consumers in China and Japan.<em> Korea Observer, 40</em>(3), 425-459.<br>
Otmazgin, N., Lyan, I. (2013). Hallyu Across the Desert: K-Pop Fandom in Israel and Palestine. <em>Cross-Currents: East Asian History and Culture Review E-Journal, 9</em>, 68-89.<br>
Quintas Froufe, N., González Neira, A. (2014). Audiencias activas: participación de la audiencia social en la televisión.<em> Comunicar, 43</em>, 83-90. http://dx.doi.org/10.3916/C43-2014-08.<br>
Rosas, E. I. W. (2015). <em>El pop coreano en los jóvenes paceños y tottorienses. </em>Tesis doctoral. California del Sur: Universidad Autónoma.<br>
Yang, J. (2012). The Korean Wave (Hallyu) in East Asia: Comparison of Chinese, Japanese, and Taiwanese Audiences Who Watch Korean TV Dramas.<em> Development and Society, 41</em>(1), 103-147. https://www.jstor.org/stable/deveandsoci.41.1.103.<br>
Zarco, L. A. (2018). Difusión de dramas coreanos, un análisis de su éxodo a América Latina y Colombia. <em>Palobra: Palabra que obra, 18</em>, 82-98.</p>
Baecque, A., Tesson, C. (2004). <em>Una cinefilia a contracorriente. La Nouvelle Vague y el gusto por el cine americano.<strong> </strong></em>Barcelona: Paidós.<br>
Bauman, Z. (2010). <em>Mundo consumo</em>. Barcelona: Paidós.<br>
Castells, M. (2009). <em>Comunicación y poder</em>. Madrid: Alianza.<br>
Chen, L. (2017). The Emergence of the Anti-Hallyu Movement in China. <em>Media, Culture & Society, 39</em>(3), 374-390.<br>
Chua B. H., Iwabuchi, K. (eds). (2008). <em>East Asian Pop Culture: Approaching the Korean Wave</em>. Hong Kong: Hong Kong University Press.<br>
Claes, F., Deltell, L. (2015). Audiencia social en Twitter: hacia un nuevo modelo de consumo televisivo. <em>Trípodos</em>,<em> 36</em>. <br>
Claes, F., Deltell, L., Congosto, M. L. (2015). Audiencia social, ¿comunidad o enjambre? Caso de estudio: Goyas 2014. <em>Ar@cne: revista electrónica de recursos en Internet sobre Geografía y Ciencias Sociales, 194</em>, 1-15. Recuperado de http://www.ub.edu/geocrit/aracne/aracne-194.pdf<br>
Dal Yong Jin, K. Y. (2016). The Social Mediascape of Transnational Korean Pop Culture: Hallyu 2.0 as Spreadable Media Practice.<em> New Media and Society,</em> <em>18</em>(7), 1277-1292. https://doi.org/10.1177/1461444814554895.<br>
Deltell, L. (2014). Audiencia social versus audiencia creativa: caso de estudio Twitter. <em>Estudios sobre el mensaje periodístico</em>, <em>20</em>(1), 33-47. http://dx.doi.org/10.5209/rev_ESMP.2014.v20.n1.45217.<br>
Flores Yapuchura, A. Y. (2013). K-pop, nueva opción de identidad peruana. <em>Comuni@cción. Revista de investigación en Comunicación y Desarrollo, 4</em>(1), 38-45.<br>
Foucault, M. (1977).<em> Historia de la sexualidad.</em> Madrid: Siglo XXI.<br>
Gil, P. (2012, 29 de agosto). Aprenda ‘k-pop’ en seis pasos. <em>El Mundo. </em>Recuperado de https://www.elmundo.es/elmundo/2012/08/29/gentes-verano/1346239887.html.<br>
Han, B. (2014). <em>En el enjambre</em>. Barcelona: Herder.<br>
Hubinette, T. (2012). The Reception and Consumption of Hallyu in Sweden: Preliminary. Findings and Reflections. <em>Korea Observer,</em> <em>43</em>(3), 503-525. <br>
Jang, S. H. (2012). The Korean Wave and Its Implications for the Korea-China Relationship, <em>Journal of International and Area Studies, 19</em>(2), 97-113. <br>
Joinau, B. (2018). Aux origines de la vague sud-coréenne: le cinéma sud-coréen comme soft power. <em>Pouvoirs. Revue française d’études constitutionnelles et politiques,</em> <em>167</em>, 107-120.<br>
Jung, S. (2011). K-pop, Indonesian fandom, and social media. <em>Transformative Works and Cultures, 8.</em><br>
— (2012). Fan Activism, Cybervigilantism, and Othering Mechanisms in K-pop Fandom. <em>Transformative Works and Cultures, 10</em>.<br>
Jung, S., Shim, D. (2013).Social Distribution: K-Pop Fan Practices in Indonesia and the ‘Gangnam Style’ Phenomenon. <em>International Journal of Cultural Studies, 17</em>(5), 485-501.<br>
Kuwahara, Y. (ed.) (2014). <em>Korean Popular Culture in Global Context</em>. Nueva York: Palgrave Macmillan US.<br>
Kim, B. R. (2015). Past, Present and Future of Hallyu (Korean Wave).<em> Journal of Contemporary Research, 5</em>(5).<br>
Kim, E. M., Ryoo, J. (2008). South Korean Culture Goes Global. K-Pop and the Korean Wave.<em> Korean Social Science Journal, 1</em>, 117-152.<br>
Kim, Y. (ed). (2013).<em> The Korean Wave: Korean Media Go Global</em>. Nueva York: Routledge.<br>
Kim, Y. H., Lee, D., Min, S. (2014). Exploring Characteristics of Video Consuming Behavior in Different Social Media Using K-Pop Videos.<em> Journal of Information Sciencie, 40</em>(6), 806-822<br>
KOCIS, Korean Culture and Information Service (2011a). <em>K-POP: A New Force In Pop Music</em>. Corea del Sur: <br>
KOCIS.<br>
KOCIS, Korean Culture and Information Service (2011b). <em>The Korean Wave: A New Pop Culture Phenomenon. </em>Corea del Sur: KOCIS.<br>
KOCIS, Korean Culture and Information Service (2015). <em>K-POP Beyond Asia.</em> Corea del Sur: KOCIS.<br>
Kuhn, T. S. (1975). <em>La estructura de las revoluciones científicas</em>. México: Fondo de Cultura Económica. <br>
Lee, S., Nornes, M. A (2015). <em>Hallyu 2.0: The Korean Wave in the Age of Social Media</em>. Ann Arbor: University of Michigan Press.<br>
Marinescu, V. (2014). <em>The Global Impact of South Korean Popular Culture. </em>Londres: Lexington Books.<br>
Messerlin, P., Shin, W. (2017). The Success of K-pop: How Big and Why so Fast? <em>Asian Journal of Social Science, 45</em>(4-5): 409-439. http://dx.doi.org/10.1163/15685314-04504003.<br>
Nye, J. (1990). <em>Bound to Lead: The Changing Nature of American Power</em>. Nueva York: Basic Books.<br>
Nye, J., Kim, Y. (2013): Soft Power and the Korean Wave. En Y. Kim (ed.), <em>The Korean Wave: Korean Media Go Global </em>(pp. 31-42). Nueva York: Routledge.<br>
Osteso, J. M., Claes, F., Deltell, L. (2014). <em>Teoría de la urdimbre comunicativa. Política, activismo y formación de líderes de opinión por medio de Twitter en España.</em> XXVI Seminario internacional AISOC. <br>
Oh, I. (2009). Hallyu: The Rise of Transnational Cultural Consumers in China and Japan.<em> Korea Observer, 40</em>(3), 425-459.<br>
Otmazgin, N., Lyan, I. (2013). Hallyu Across the Desert: K-Pop Fandom in Israel and Palestine. <em>Cross-Currents: East Asian History and Culture Review E-Journal, 9</em>, 68-89.<br>
Quintas Froufe, N., González Neira, A. (2014). Audiencias activas: participación de la audiencia social en la televisión.<em> Comunicar, 43</em>, 83-90. http://dx.doi.org/10.3916/C43-2014-08.<br>
Rosas, E. I. W. (2015). <em>El pop coreano en los jóvenes paceños y tottorienses. </em>Tesis doctoral. California del Sur: Universidad Autónoma.<br>
Yang, J. (2012). The Korean Wave (Hallyu) in East Asia: Comparison of Chinese, Japanese, and Taiwanese Audiences Who Watch Korean TV Dramas.<em> Development and Society, 41</em>(1), 103-147. https://www.jstor.org/stable/deveandsoci.41.1.103.<br>
Zarco, L. A. (2018). Difusión de dramas coreanos, un análisis de su éxodo a América Latina y Colombia. <em>Palobra: Palabra que obra, 18</em>, 82-98.</p>