Notebook
Published 2017-01-01
Keywords
- Film Aesthetics,
- Film History,
- Francoist Cinema,
- Female Desire,
- Baroque
- Melancholy,
- Classical/Modern Cinema. ...More
Abstract
Carlos Losilla (b. Barcelona, 1960) holds a PhD in Audiovisual Communication. He is associate professor with the Department of Communications at Universitat Pompeu Fabra, and his research interests include the historiographical revision of the concepts of the classical and the modern in cinema. His recent published books include La invención de la modernidad [The Invention of Modernity] (2011) and Zona de sombra [Shadow Zone] (2014).
References
<p>Castro de Paz, José Luis (2002). <em>Un cinema herido. Los turbios años cuarenta en el cine español</em> <em>(1939-1950).</em> Barcelona: Paidós.<br>
Deleuze, Gilles (1989). <em>El pliegue: Leibniz y el Barroco</em>. Barcelona: Paidós.<br>
Freud, Sigmund (1985). <em>Obras Completas, vol. II</em>. Buenos Aires: Amorrortu.<br>
Heredero, Carlos F. (1993). <em>Las huellas del tiempo. Cine español 1951-1961.</em> Valencia: Ediciones de La Filmoteca.<br>
Johnston, Claire (1973). Women’s Cinema as Counter-Cinema. In C. Johnston (ed.), <em>Notes on Women’s Cinema </em>(pp. 24-31)<em>. </em>London: Society for Education in Film and Television.<br>
Mulvey, Laura (1999). Visual Pleasure and Narrative Cinema. In L. Braudy and M. Cohen (ed.), <em>Film Theory and Criticism: Introductory Readings </em>(pp. 833-844). New York: Oxford University Press.<br>
Peran, Martí (2016). <em>Indisposición general. Ensayo sobre la fatiga</em>. Hondarribia: Hiru.<br>
Zunzunegui, Santos (2005). <em>Los felices 60. Aventuras y desventuras del cine español (1959-1971)</em>. Barcelona: Paidós.</p>
Deleuze, Gilles (1989). <em>El pliegue: Leibniz y el Barroco</em>. Barcelona: Paidós.<br>
Freud, Sigmund (1985). <em>Obras Completas, vol. II</em>. Buenos Aires: Amorrortu.<br>
Heredero, Carlos F. (1993). <em>Las huellas del tiempo. Cine español 1951-1961.</em> Valencia: Ediciones de La Filmoteca.<br>
Johnston, Claire (1973). Women’s Cinema as Counter-Cinema. In C. Johnston (ed.), <em>Notes on Women’s Cinema </em>(pp. 24-31)<em>. </em>London: Society for Education in Film and Television.<br>
Mulvey, Laura (1999). Visual Pleasure and Narrative Cinema. In L. Braudy and M. Cohen (ed.), <em>Film Theory and Criticism: Introductory Readings </em>(pp. 833-844). New York: Oxford University Press.<br>
Peran, Martí (2016). <em>Indisposición general. Ensayo sobre la fatiga</em>. Hondarribia: Hiru.<br>
Zunzunegui, Santos (2005). <em>Los felices 60. Aventuras y desventuras del cine español (1959-1971)</em>. Barcelona: Paidós.</p>