Vanishing Points
Published 2016-07-31
Keywords
- Cinema,
- Portugal,
- Statue,
- Body,
- Word
- theatricality,
- History. ...More
How to Cite
Salvadó Corretger, G., & Benavente Burian, F. (2016). The Statuary Condition in Contemporary Portuguese Cinema. L’Atalante. Journal of Film Studies, (22), 131–142. https://doi.org/10.63700/290
Abstract
This article explores the importance of the statue as a key figure in certain poetics of contemporary Portuguese cinema. The statuesque component is deployed from the way of filming bodies and from the interpretive register. It’s studied in different modalities of appearance according to categories that we propose: the monument, human statue and picture-statue. This statuesque phenomenology of Portuguese cinema articulates key concepts in the definition of Portuguese film poetics: the anti-naturalism, theatricality, historical archeology and long takes.
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References
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Benjamin, Walter (2008). Sobre el concepto de historia. En <em>Obras. Libro I, Vol. 2</em>. Madrid: Abada Editores.<br>
Daney, Serge (2001). “Le pôle portugais”. En <em>La maison cinéma et le monde. 1.</em> <em>Le temps des Cahiers</em>. París: POL.<br>
De Baecque, Antoine; Parsi, Jacques (1996). <em>Conversations avec Manoel de Oliveira</em>. París: Cahiers du cinéma.<br>
Didi-Huberman, Georges (1997). <em>Lo que vemos, lo que nos mira</em>. Buenos Aires: Manantial.<br>
Johnson, Randal (2003). Against the Grain: On the Cinematic Vision of Manoel de Oliveira. <em>Senses of cinema</em>, 28. Recuperada de <http://sensesofcinema.com/2003/feature-articles/de_oliveira/><br>
Lavin, Mathias (2008). <em>La parole et le lieu. Le cinéma selon Manoel de Oliveira</em>. Rennes: Presses universitaires de Rennes.<br>
Lourenço, Eduardo (2006). <em>Mitologia della saudade</em>. Napoli: Orientexpress.<br>
Salvadó Corretger, Glòria (2012). <em>Espectres del cinema portuguès contemporani. Història i fantasma en les imatges</em>. Palma: Lleonard Muntaner.</p>