American dramatic television series: speaking of Friday Night Lights (Peter Berg, 2006).

Abstract

From the 90s and especially from 2000, TV series have approached a cinematographic language in an attempt of imitating the film image and production system. The formal and aesthetic eclecticism they have acquired features an aesthetic renewal that adds characteristics ranging from nouvelle vague elements to the videoclip’s formal dynamism, including realistic aspects and the TV reports’ style. It is worth the analysis of the complexity inherent in the hybridization of the audiovisual discourse in its construction of reality, focused mostly on documentaries and dialectic problems between objectivity and subjectivity, or rather, its appearance of truth