Vanishing Points
Published 2012-01-01
Keywords
- video,
- diary,
- self-portrait,
- documentary,
- digital
- archive ...More
How to Cite
Lucas, G. de. (2012). Learning to Unlearn: Mobile Phone Cameras and Digital Files. L’Atalante. Journal of Film Studies, (13), 110–114. https://doi.org/10.63700/105
Abstract
Most youngsters who have felt any form of artistic interest have traditionally opted to write poems. However, it is becoming more frequent for them to choose video —already a domestic tool— over literature to express their experiences. In this change, the appearance of mobile phones with built-in video cameras enables a daily and immature writing, as well as the development of video diaries, self-portraits and other forms which had remained rather peripheral until now.
Downloads
Download data is not yet available.
References
DANEY, Serge (2004). Cine, arte del presente. Buenos Aires: Santiago Arcos.
AUERBACH, Erich (1983). Mímesis: la representación de le realidad en la literatura occidental. México D.F: Fondo de Cultura Económica.
LANGLOIS, Henri (2006). Le cinéma en liberté. Warhol/ Godard. En N. Brenez, D. Faroult, M. Temple, J. Williams y M. Witt (eds.), Jean-Luc Godard. Documents (p. 259). París: Centre Pompidou.
MARTÍN GUTIÉRREZ, Gregorio (2008). Cineastas frente al espejo. Madrid: T&B Editores.
PESSOA, Fernando (1997). Obra poética. Tomo I. Edición bilingüe. Madrid: Ediciones 29.
AUERBACH, Erich (1983). Mímesis: la representación de le realidad en la literatura occidental. México D.F: Fondo de Cultura Económica.
LANGLOIS, Henri (2006). Le cinéma en liberté. Warhol/ Godard. En N. Brenez, D. Faroult, M. Temple, J. Williams y M. Witt (eds.), Jean-Luc Godard. Documents (p. 259). París: Centre Pompidou.
MARTÍN GUTIÉRREZ, Gregorio (2008). Cineastas frente al espejo. Madrid: T&B Editores.
PESSOA, Fernando (1997). Obra poética. Tomo I. Edición bilingüe. Madrid: Ediciones 29.